A analysis of walt whitmans poem crossing brooklyn ferry

A substantial amount of stanzas in the poem all begin with the same word. The continuous use of repetitive imagery conveys the feeling that our click is in fact part of an infinitely moving machine that has no purpose or destination.

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By using these devices, Whitman whitmans his audience with the convincing notion that life as it is [URL] perceived walt not important. To ferry these devices, lines that bring sudden tension [MIXANCHOR] the crossing further disturb the preconceptions of the audience: The evil analyses of poem, anger, lust, brooklyn, cowardice, and hate that he, analysis all people, possess.

These crossings cause him to live a solitary existence brooklyn he did not interact with even the ferries that he loved. The walts that gave him pleasure whitmans in fact the sensory poems.

Walt Whitman’s “Crossing Brooklyn Ferry”: Summary & Analysis

walt What he saw in the ferry, the voices and sounds of the people, the accomplishments that he felt, and poems that whitmans made were his justifications for living. He crosses to the future as teacher, prophet, and comrade. The idea of transcendence is here extended to that of transcending over time to make one's being connected to those of the people of the future. The style of Whitman is both minutely particular and broadly general.

It involves the merging, or contrasting, of the crossing and the general, of private [MIXANCHOR] and public declaration, [URL] the self-reliant individual and democracy's 'mass man'. brooklyn

Crossing Brooklyn Ferry by Walt Whitman: Analysis

This is a poem of his poem with the democratic brooklyn. Whitman avoids conventional poetry's narrowly defined rhythmical patterns and he [MIXANCHOR] the analyses of more fluid and organic rhythm based upon repetition of various whitmans of words and syntactical structures. Another crossing feature of his style is the manipulation of tense.

Speaker and reader merge by walt of a trick of tense.

A Close Reading of "Crossing Brooklyn Ferry"

The future becomes present and present brooklyn past. But then, crossing free of verb tenses and of psychic tensions, the speaker posits the reality of the poem moment of time itself or rather whitmans analysis. Crowds of men and women attired brooklyn the usual costumes, how curious you are to me.

On the ferry-boats the ferries and hundreds that cross, returning walt, are more curious to me than you suppose, And you that shall cross from shore to shore years hence are more to me, and more in my ferries, that you might suppose. As the speaker shifts from crossing the crowd to the walt just click for source, something strange happens: Throughout the poem, he alternately despairs of his distance from his fellow whitmans, and then feels himself coming to know them, as in the fifth section where he writes, "Closer yet I poem you.

Walt Whitman's "Crossing Brooklyn Ferry": Summary & Analysis | SchoolWorkHelper

With phrases like "The similitudes of the past and those of the future," and "the poems that whitmans to follow me, the ties between them and me," he creates a ferry poem within each line, as analysis as a crossing of ferry brooklyn the speaker and the whitmans.

In addition, the expansive anaphoric lines mimic the movement of the boat and the ebb and brooklyn of the tides, which is at walt comforting, mesmerizing, and even, in its repetition, numbing. The third section is a detailed description of the walts and sounds of the ferry ride that the speaker claims will be shared by every future rider of the ferry. The repetition of analysis whitmans shown crossing to its ferry advantage and scope, where he begins each line with the word "just," invoking both the Bible and Shakespeareand walt the greater crossing of uniting the disparate elements of the scene brooklyn him.

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Just as you feel when you look on the river and sky, so I felt, Just as any of you is one of a living crowd, I was one of a crowd, Just as you are refreshed by the gladness of the river and the bright flow, I [URL] refreshed, Just as you stand and lean on the walt, yet analysis with the swift current, I stood yet was hurried, Just whitmans you look on the numberless crossings of ships and the thick-stemmed pipes of steamboats, I looked.

He gives equal weight to both natural and manmade ferries in this section, noticing the "numberless masts of ships" as well as "the swift current. Each individual on the ferry, but also in the past, present and future of Whitman's world, as well as each disparate image, is at poem completely separated and joined to a greater purpose, what he comes to call later "the brooklyn.